What Is a Simulator–a Clinical Checklist or a Theater?

Published on 27/02/2015 by admin

Filed under Anesthesiology

Last modified 22/04/2025

Print this page

rate 1 star rate 2 star rate 3 star rate 4 star rate 5 star
Your rating: none, Average: 0 (0 votes)

This article have been viewed 1158 times

CHAPTER 1 What Is a Simulator–a Clinical Checklist or a Theater?

Jimmy grows up, insists you call him “James” now, although most of the students in his quantum physics class call him “Professor.”

In this most advanced of disciplines, the professor still delivers his lectures the old-fashioned way—white chalk on a blackboard. The students shuffle in, take off their bulky jackets, and set up their laptops to take notes. James had initially resisted this maneuver, and he found the clicking keys irksome; but alas, after a while there was so much clicking it became a kind of white noise, and you tuned it out.

“What does a single electron do when it comes to this sheet of metal with two holes in it?” the professor asks.

No one’s hand goes up. There weren’t any hands free; they were all glued to their keyboards!

James turns around, draws a square representing the sheet of metal, and draws a little dot, the electron, with a little arrow pointing toward the square.

Click, click, click, click, click, click.

(“How are they drawing this picture on their computers?” James thinks. “Notebooks and pens were better for drawing pictures.”)

“Simple,” James explains, “the single, indivisible electron passes through both holes.”

Click, click, click… click. Click, click. Click. Click.

The clicks fade out and the lecture hall gets quiet. Outside, in the distance, the carillon’s bells start playing “Amazing Grace.” Every student’s head lifts up from their laptops as they look at the blackboard.

The single electron passes through both holes.

Now just how the heck can it do that?

A single simulator passes through a couple holes of its own. For a simulator can be viewed as two separate creatures:

But like the elusive and tricky electron, the clinical checklist and the theater inhabit the same simulator experience. Is this as incomprehensible as quantum physics?

No. As the core of this book—the 50 simulator scenarios—show, each scenario has an element of the clinical checklist, and an element of theater—educational theater.

For example, you set up a simple scenario for medical students:

You could throw in other steps (sedate prior to induction), or you can take out steps (if a bunch of medical students are standing around, just have them intubate, one after another, so everyone gets to do something). But the idea is the same—you use the simulator as a checklist. You ensure that the student does the right things in the right order.

“Oops,” the instructor corrects, “you just induced, but you forgot to preoxygenate first. Let’s try that again.”

“Nope, nope,” the instructor observes, “you induced anesthesia all right; but if you put that laryngoscope in before you give the paralytic, you are going to be in for the fight of your life as they bite down on that scope.”

Good lessons all, and good lessons linked to the “simulator as a clinical checklist.”

But the good thing about the simulator, and what really gives it a zing from the instructor’s and the student’s point of view is that the simulator also functions as “educational theater.” And theater is limited only by the imagination of the playwright and the actors. So you can end up with Juliet lamenting her romantic plight, Willie Lomax lamenting his wasted life, or Stella lamenting that she has “always depended on the kindness of strangers.”

Bring up the lights, lift the curtain, and “Break a leg.” The educational theater is going live. Anything—but anything—that the instructor wants to teach is now on the playbill.

Inducing General Anesthesia in a Routine Patient: Theater

In the big chapter on simulation scenarios, you can see this marriage of both functions. Some scenarios are mostly theater—dealing with an inappropriate patient in the preop assessment room. Some scenarios are mostly checklist—taking the appropriate steps once you diagnose malignant hyperthermia. But most are a delicious mélange of checklist and theater—getting a lung to deflate in a double-lumen case (checklist) while dealing with a ticked-off and demanding surgeon (theater).

So we’ve looked at this “checklist versus theater” issue from the angle of the instructor. How does it look from some other people’s point of view?

Clinical Checklist

From a lot of angles, the Simulator as “clinical checklist teacher” has appeal.

“Damn, I wish I’d done more training in that Simulator!”

Simulators find their biggest champions in the world of Anesthesia. No surprise, then, that anesthesia people have done the initial research on “Simulator as Clinical Checklist Teacher.”

Anesthesiologists at Washington University in St. Louis (great arch there, along with the largest Japanese garden outside Japan, plus a hip restaurant and music scene at Laclede’s Landing down by the Mississippi River) have looked at this with medical students and residents. (The article is in Anesthesiology 2004;101:1084–1095. The 41 references at the end of the article cover Simulation from A to Z. If you are going deep on Simulation information, this is the article to get. Take a look at those 41 references. They will make you an insta-Simulato-Savant.) During a single 75- to 90-minute session, residents pounded through six crises—anaphylaxis, myocardial ischemia, atelactasis, ventricular tachycardia, cerebral hemorrhage, and aspiration. They had about 5 minutes to figure out what was the matter and to fix it. For example, in the atelectasis scenario, the residents had to go through the standard maneuvers to diagnose and treat hypoxemia.

Their performance was videotaped and graded. More senior residents outperformed their junior counterparts. And glory, hallelujah to that! At least we must be teaching somebody something.

So great. But here come the tough questions, the real acid test for the “Simulator as Clinical Checklist Teacher.”

Now that we’ve beaten the “Clinical Skills Teacher” issue to death, let’s turn to the second item on the hit parade—the “Simulator as Theater of the Medical World.” Let’s look at those same people who might like this “Theater” idea.

At the American Society of Anesthesiology meeting, for example, entire workshops are devoted to “making sure you are covering your butt on the ACGME core competencies.”

Most programs and most specialties are good at teaching medical knowledge, patient care, and practice-based learning and improvement. But system-based practice? A little tougher. A little fuzzier. How about professionalism and interpersonal and communication skills? Tougher still, fuzzier still. Well, as these last two are kind of hard to teach, can you kind of forget about them?

Yes! That’s the good news. You can, indeed, blow them off entirely. There is, unfortunately, a small catch to this approach: The ACGME will shut down your program.

Here’s where the Simulator comes charging over the hill to rescue your program. The Simulator, especially when employed in the “behavior” mode, fits hand-in-glove with those last two core competencies—professionalism and interpersonal and communication skills. And this “salvation from the ACGME monster” can spread to other specialties as well. For example, if, say, the surgery department is found to be lacking in the “warm and fuzzies” of the core clinical competencies (professionalism and interpersonal and communication skills), send the surgery residents over to the anesthesia department’s Simulator. Cooperation between departments? Surgery and anesthesia holding hands instead of beating the living daylights out of each other? What a concept!

A lone electron can sort of do “two things at once”—miraculously passing through two holes at the same time. Can simulators perform similar “quantum mechanics”? Can simulators constitute both a clinical checklist and an educational theater? Of course.