Chest Inspection, Palpation, and Percussion

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Chapter 13 Chest Inspection, Palpation, and Percussion

Generalities

Chest inspection, palpation, and percussion are the foundations of physical exam. Percussion is 15 years older than the United States, the brainchild of an Austrian innkeeper’s son who figured out that patients’ chests could behave like barrels of wine. Although rather “ancient,” these maneuvers retain considerable value. Their skilled use may in fact still provide key pieces to our diagnostic mosaic. Indeed, bedside diagnosis of lung diseases requires all these maneuvers to yield useful information.

A. Chest Inspection

21 Who was Kussmaul?

Adolf Kussmaul (1822–1902) was a graduate of Heidelberg and Würzburg (where he studied under Virchow) and a part-time German Army surgeon. He was the first to describe periarteritis nodosa and progressive bulbar paralysis. He also was the first to attempt gastroesophagoscopy, pleural tapping, and peritoneal lavage. His name is linked to the respiration of patients with metabolic acidosis, the clinical description of pericarditis, pulsus paradoxus, aphasia, and, of course, Kussmaul’s sign, the inspiratory increase in jugular venous pressure (and distention) seen in patients with obstruction to right-sided venous return (see Chapter 10, questions 115–118). A meticulous and precise man famous for complaining that none of his colleagues could write good German, Kussmaul contributed satirical poems to a weekly magazine under the pseudonym of Gottlieb Biedermeier, an imaginary and unsophisticated poet who eventually came to symbolize the values and tastes of the early 19th-century German bourgeois: reliable, hard-working, but boringly unimaginative (like in the Biedermeier style of furniture. “Bieder” is German for “everyday, plain” while “Meier,” or Meyer, is a common German last name).

Abnormalities in Rhythm and Pattern of Respiration

23 What are the main abnormalities in respiratory rhythm?

They are many, and usually the result of disruption in the neurogenic control of the respiratory pump. Hence, they are often seen in comatose patients. Thus, they are valuable to recognize because they may help localizing the site of the neurologic lesion (see Fig. 13-2). Moving downward in a rostrocaudal fashion, from the uppermost to the lowermost neurologic center, the most common abnormalities of respiratory rhythm are (1) Cheyne-Stokes respiration, (2) Biot’s respiration, (3) apneustic breathing, (4) central hyperventilation, and (5) ataxic (agonal) respiration.

28 Who were Cheyne and Stokes?

John Cheyne (1777–1836) was a Scot and himself the son of a surgeon, often helping his father to care for patients by bleeding and dressing them. After graduating at age 18 from the University of Edinburgh, he served in the army for 4 years. During this time, he took part in the battle of Vinegar Hill, which broke Irish resistance to British rule. In 1809, he went to Dublin, where he was eventually appointed Physician-in-General for Ireland, becoming the founder of modern Irish medicine.

William Stokes (1804–1878) was instead a bona-fide Irishman and the son of the anatomy professor who had succeeded John Cheyne at the College of Surgeons School in Ireland. Although lacking in formal education (his father wanted to protect him from a society that did not abide by the scriptures), Stokes eventually went to Edinburgh, where he received his doctor of medicine in 1825. In Scotland, he learned of Laënnec and his recent invention, the “cylinder.” He soon became so enamored of this little tool that he even wrote an introductory book about it, the first of its kind in the English language. In fact, Stokes was such a vocal advocate for the use of stethoscopy that he provoked quite a few reactions (and even some sarcasm) among his colleagues. Still, he was a well-liked physician, who worked among the poor during the Dublin typhus epidemic in 1826 (he even contracted the disease but survived) and then again during the subsequent cholera epidemic. His name is linked not only to the eponymous pattern of respiration but also to Stokes-Adams syncope, which the Irish surgeon Robert Adams had described in 1827 and which Stokes included in his 1854 book, Diseases of the Heart and Aorta. Of course, the Italian Morgagni had preceded them both by describing the condition almost 100 years before (see Chapter 11, question 14).

31 What is the clinical significance of a grunting respiration?

Very much the same as in Laënnec’s days. It can still be heard in adults with respiratory muscle fatigue (and impending arrest), but nowadays it is much more frequent in children, where it usually presents as a short and low-pitched noise produced by forced expiration against a closed glottis. The “grunt” is due to the sudden opening of the glottis and the loud rush of air from the larynx. Its physiology (and significance) is akin to pursed-lip respiration (see below, questions 32 and 33), insofar as it leads to an increase in expiratory airway pressure, which then acts as a mechanical splint against alveolar collapse, increasing tidal volume and oxygenation while decreasing respiratory rate and CO2. An increased intra-alveolar pressure also has a positive effect against transudation of fluid in patients with pulmonary edema, and thus it is often observed during acute episodes of left ventricular failure.

32 What is pursed-lip respiration?

Another respiratory pattern, typically seen in obstructive lung disease—usually emphysema (Fig. 13-3). Given the alveolar hyperinflation (and reduced lung elasticity) of COPD, patients are at risk for expiratory airway closure and air-trapping. Hence, they resort to pursed lip exhalation, as if they were inflating a balloon. This increases intra-airway pressure, thus inducing auto-PEEP (positive end-expiratory pressure). It is often accompanied by an expiratory wheeze or grunt.

68 Is physical exam the best way to assess kyphoscoliosis?

No. Chest examination allows detection of the abnormality, but is of little value in quantifying its degree. To do so, you must rely on chest radiographs, and on the determination of the Cobb angle of scoliosis (Fig. 13-5). This can be calculated by drawing two lines parallel to (1) the upper border of the highest and (2) the lower border of the lowest vertebral bodies of the primary curvature, as seen on a spine anteroposterior (AP) film. The angle is then measured at the intersection points of two additional lines, drawn perpendicular to the original lines. As a rule of thumb, a Cobb’s angle of 10 is considered the minimum angulation for a definition of scoliosis. Conversely, a Cobb’s angle >100 degrees represents a severe deformity, one associated with higher risk for pulmonary hypertension and respiratory failure.

image

Figure 13-5 How to draw and measure the Cobb angle.

(From Staheli LT: Pediatric Orthopedic Secrets. Philadelphia, Hanley & Belfus, 1998.)

73 What is a funnel chest?

It is a deep sternal depression, characterized by backward displacement of the lower half (or two thirds) of the sternum, often more visible after a deep inspiration. The alternative term, pectus excavatum (which is Latin for “hollow chest”), reflects the defining characteristic of this lesion (Fig. 13-6). In fact, even the upper part of the abdomen is often depressed, making it resemble a “potbelly.” Note that a funnel chest may compress not only the lungs (and thus distort pulmonary mechanics), but also the ventricles—especially the right one because the sternal deformity is often asymmetric, displacing the heart toward the left as well as compressing the right chambers.

image

Figure 13-6 Pectus excavatum.

(From James EC, Corry RJ, Perry JF: Principles of Basic Surgical Practice. Philadelphia, Hanley & Belfus, 1987.)

77 What is a pigeon chest?

It is the opposite of the funnel chest: a sternal protrusion from cartilage overgrowth, with forward sternal projection and secondary flattening of either side of the chest (Fig. 13-7). This makes the sternum resemble the keel of a ship (carina in Latin), and thus the term pectus carinatum. As its counterpart, a funnel chest may be isolated or associated with specific diseases, like rickets, Marfan’s, or Noonan’s. Yet, contrary to the funnel chest, a pectus carinatum is much more of a medical oddity (with prevalence of 0.06% as opposed to 1 in 300–400 births).

image

Figure 13-7 Pectus carinatum.

(From James EC, Corry RJ, Perry JF: Principles of Basic Surgical Practice. Philadelphia, Hanley & Belfus, 1987.)

(6) Abnormalities of the Chest Surface

99 Why is it important to observe the characteristics of the chest surface?

Because they can provide important diagnostic clues, such as:

image Abnormalities in color: Skin color helps identify patients with ineffective oxygenation and/or ventilation. Cyanosis is a hallmark of insufficient ventilation (with resulting hypercapnia and a reduced hemoglobin >5   g/100   mL). Conversely, pallor, diaphoresis, and agitation are the hallmarks of ineffective oxygenation. Neurologic repercussions are different, since hypercapnia is a central nervous system (CNS) depressor, whereas hypoxemia is a stressor.

image Abnormalities in pigmentation: Patients whose chests are hyperpigmented (especially if the skin is tightly drawn and covered with telangiectasias or vitiligo) also should have their hands and fingers evaluated for tightening. These (and a tight mouth opening) are typical features of scleroderma and important clues to the presence of underlying lung diseases, such as vasculitis, pulmonary hypertension, and cor pulmonale.

image Expiratory bulging: Focal expiratory bulging of the intercostal spaces is typical of patients with pneumothorax, whereas diffuse expiratory bulging occurs in patients with obstructive lung disease. Focal inspiratory sinking (tirage) is seen in patients with focal airway obstruction; diffuse tirage is seen in patients with upper airway obstruction. Finally, a localized and paradoxical motion of the thorax is observed in patients with flail chest.

image Collateral circulations: These may occur on the chest wall of patients with superior or inferior vena cava obstruction, in whom an impeded venous return creates a collateral circulation that flows, respectively, caudad or cephalad.

image Dermatomic herpes zoster lesions

image Chest wall fistulas: These may be seen in patients with empyema necessitatis, a form of pyothorax in which pus burrows to the outside, producing a subcutaneous abscess that finally ruptures. The drainage may actually be beneficial, allowing relief of a closed-space infection and, often, spontaneous recovery.

107 What are the diagnostic features of clubbing?

They depend on whether clubbing is present alone or in association with periostosis (see HOA in questions 117122). Clubbing without periostosis, the time-honored Hippocratic nail, has three diagnostic features (Fig. 13-8):

1. Loss of Lovibond’s angle: This is the angle between the base of the nail and its surrounding skin (hyponychial or unguophalangeal angle). The angle is normally <180 degrees. In clubbing, however, is either obliterated (straight line) or >180 degrees. The loss of the Lovibond’s angle (Fig. 13-9) can be easily visualized by resting a pencil over the nail. Normally, there should be a clear window between the pencil and the nail. In clubbing, however, there will be none. Thus, the pencil will fully rest over the nail.

2. Floating nails (ballotability of the nail bed): This refers to an increased sponginess of the soft tissue at the base of the nail. As a result, the nail plate acquires a “springy” feeling: when the skin just proximal to the nail is compressed, the nail sinks deep toward the bone; upon release, it springs backward and outward (floating fingernail base)—almost like pushing an ice cube down a pot of water. This feeling can be effectively simulated by:

3. Abnormal phalangeal depth ratio: This consists of a greater depth of the fingertip when measured at the cuticle (distal phalangeal depth [DPD]) as compared to the interphalangeal joint (interphalangeal depth [IPD]) (see Fig. 13-10). The normal DPD/IPD ratio is, on average, 0.895, which means that the fingertip tends to taper going from the distal interphalangeal joint toward the end. Conversely, in clubbing it bulges, with a DPD/IPD ratio >1.0 (i.e., in excess of the norm by approximately 2.5 standard deviations). The DPD/IPD ratio is an excellent marker for clubbing, with good sensitivity and specificity. For example, a ratio >1.0 is found in 85% of children with cystic fibrosis and fewer than 5% of children with chronic asthma.

image

Figure 13-9 Measurement of Lovibond’s angle.

(Adapted from Hansen-Flaschen J, Nordberg A: Clubbing and hypertrophic osteoarthropathy. Clin Chest Med 8:287–298, 1987.)

image

Figure 13-10 Phalangeal depth ratio.

(Adapted from Hansen-Flaschen J, Nordberg A: Clubbing and hypertrophic osteoarthropathy. Clin Chest Med 8:287–298, 1987.)

110 Is increased curvature of the nail a sign of clubbing?

Not necessarily (see below, question 116). True clubbing requires accumulation of soft tissue at the base of the nail. Hence, it is defined not by an increase in nail convexity but by the three aforementioned characteristics.

111 What is a drumstick finger?

It is one of several terms used to describe the more advanced stages of clubbing (Fig. 13-11). The accumulation of connective tissue extends well beyond the base of the nail and involves the entire digit. Depending on where this accumulation predominates, a few colorful terms have been created. For example, in parrot’s beak clubbing, the swelling is primarily localized to the proximal portion of the distal digit; in the drumstick type, it is circumferential; and in the watchglass form, swelling is mostly at the nail base.

image

Figure 13-11 Types of digital clubbing: A, parrot’s beak; B, watchglass, and C, drumstick.

(Adapted from Hansen-Flaschen J, Nordberg A: Clubbing and hypertrophic osteoarthropathy. Clin Chest Med 8:287–298, 1987.)

112 What is Schamroth’s sign?

It is the disappearance of the diamond-shaped window normally present when the terminal phalanges of paired digits are juxtaposed (Fig. 13-12). It is just another and more recently described maneuver to confirm the loss of the Lovibond angle. It was first reported in 1976 by the South African cardiologist Leo Schamroth, who noticed it on himself during recurrent clubbing due to bouts of endocarditis.

image

Figure 13-12 Schamroth’s sign.

(Adapted from Hansen-Flaschen J, Nordberg A: Clubbing and hypertrophic osteoarthropathy. Clin Chest Med 8:287–298, 1987.)

113 What is the clinical significance of clubbing?

Clubbing is a feature not only of lung disease, but also of several chronic inflammatory conditions not necessarily limited to the lungs. In fact, it has been described in infective endocarditis, lung abscess, bronchiectasis, and even amyloidosis. It also has been reported in chronic inflammatory bowel disease, such as Crohn’s and ulcerative colitis. Although described in hypercapnia (usually from chronic bronchitis), clubbing is not a feature of emphysema. It is, however, encountered in hypoxemia from shunts (either cardiogenic or pulmonary) and in patients with sex hormones imbalance (because of either pregnancy or cirrhosis). Finally, clubbing has been described in various cancers, especially lung (see Table 13-1).

Table 13-1 Disorders Commonly Associated with Digital Clubbing

Intrathoracic Cardiovascular
Bronchogenic carcinoma* Congenital cyanotic heart disease
Metastatic lung cancer* Other causes of right-to-left shunting
Hodgkin’s disease Subacute bacterial endocarditis
Mesothelioma* Infected aortic bypass graft*
Bronchiectasis* Hepatic and Gastrointestinal
Lung abscess Hepatic cirrhosis*
Empyema Inflammatory bowel disease
Cystic fibrosis Carcinoma of esophagus or colon
Pulmonary interstitial fibrosis Achalasia
Sarcoidosis Peptic ulceration of the esophagus
Pneumoconiosis Primary biliary cirrhosis
Lipid pneumonia Cirrhosis of the liver
Arteriovenous malformations Malignancies
Miscellaneous Thyroid cancer
Pregnancy Thymus cancer
Acromegaly Hodgkin’s disease
Pachydermoperiostosis Chronic myeloid leukemia
Thyroid acropachy

* Commonly associated with hypertrophic osteoarthropathy.

(Adapted from Hansen-Flaschen J, Nordberg J: Clubbing and hypertrophic osteoarthropathy. Clin Chest Med 8:287–298, 1987.)

B. Chest Palpation

138 How do you detect a tracheal deviation?

First, ask the patient to sit up, lean forward, and keep the head straight. Then place the tip of your small finger in the fossa between the medial end of the sternocleidomastoid and the lateral aspect of the trachea (Fig. 13-14). Compare the depth of this fossa to the contralateral one. They should be symmetric. If not, the patient has a tracheal shift—typically toward the side with the smaller fossa.

image

Figure 13-14 Palpation of the trachea (tracheal shift).

(From James EC, Corry RJ, Perry JF: Principles of Basic Surgical Practice. Philadelphia, Hanley & Belfus, 1987.)

Assessment of the Vocal Tactile Fremitus

148 What is the vocal tactile fremitus (VTF)?

It is the Latin term for a palpable thrill produced by the patient’s voice. This can be detected by placing the hand sequentially over various areas of the chest and by then feeling the thrill that is transmitted whenever the patient is asked to say something (Fig. 13-16). Most commonly, these sounds are “Eeee,” or “1, 2, 3,” or even “99”—all terms that have more historical than clinical values (they go back to the original German neun und neunzig [i.e., “99”]), and really matter very little, since any word or sound would probably do. And yet, it also is true that some sounds, especially the lower-pitched ones, can better pass the alveolar air filter, thus leading to a stronger tactile fremitus. This might explain why men—who have lower-pitched voices than women—have more prominent VTF.

image

Figure 13-16 Locations on the posterior aspect of the chest for evaluating tactile fremitus.

(Adapted from Swartz MH: Textbook of Physical Diagnosis, 3rd ed. Philadelphia, WB Saunders, 1997.)

C. Chest Percussion

157 Who was Auenbrugger?

Josef Leopold Auenbrugger (1722–1809) was an Austrian physician and the son of a wealthy innkeeper from Gratz. As a boy, little Josef used to follow his dad down to the family cellar and watch him percuss barrels of wine to see whether they were full or empty. All this paternal “tapping” must have triggered something in Auenbrugger’s adolescent brain because years later, while working as an unpaid volunteer at the Spanish Military Hospital of Vienna, he concocted the cockamamy idea that human chests might similarly yield important clues about their content, thus allowing pathologic diagnoses without a need for autopsy. This novel thought was probably rooted in Auenbrugger’s musical interests (he was a part-time musician, who could readily discriminate between slight changes in pitch and who later even wrote a libretto for Antonio Salieri—Mozart’s menace in Peter Schaffer’s Amadeus). Whatever the reason, Auenbrugger spent 7 years at the Spanish Military Hospital of Vienna, observing changes in sound caused by various lung or heart diseases, validating his findings with both autopsies and experiments, and even testing his sound-muffling theories by percussing variously filled barrels and cadavers. After all this cataloging, tapping, and studying, he finally published his observations in 1761, the same year Morgagni published his three-volume masterpiece of clinico-pathological correlation. Auenbrugger’s opus was instead a mere 95 pages, written in Latin, and bearing the concise title, A New Discovery that Enables the Physician from the Percussion of the Human Thorax to Detect the Diseases Hidden Within the Chest. In this unassuming booklet, 39-year-old Auenbrugger described the various chest tones, ranging from normal (resembling that of a drum) to those produced by various thoracic diseases: (1) the sonus altior (high or tympanic sound); (2) the sonus obscurior (indistinct sound); and (3) the sonus carnis percussae (dull sound). He then concluded it all by announcing that simple percussion could provide physicians with pathologic information in the live patient that up to that point had been the prerogative of autopsies. It was a breakthrough. Because of this, and the work carried out in the Spanish hospital, Empress Maria Theresa eventually ordered the Viennese Faculty of Medicine to admit him at no charge as a full member. Yet, as often happens to major scientific revolutions, his little book produced a whimper and not a bang. Some even ridiculed it. Percussion remained largely underutilized and a sort of medical oddity until 50 years later, when baron Jean-Nicolas Corvisart des Marest, academician extraordinaire and personal physician to Napoleon, stumbled upon it while reading a book by Stoll, former director of the Spanish Military Hospital of Vienna. Corvisart got so intrigued by Auenbrugger’s discovery, that he studied it for years and soon started teaching it to his own students. Eventually, he became so enamored with this technique as to use it regularly on rounds, predicting with remarkable and theatrical accuracy the inevitable autopsy findings. It must have been all these predictions, or Corvisart’s fame, or his 1808 translation of the Inventum Novum (the year before Auenbrugger’s death), but eventually percussion became the royal road to bedside diagnosis—“royal” until one of Corvisart’s unsatisfied students (a diminutive and introverted Breton, named René Théophile Hyacinthe Laënnec) developed auscultation. The rest, as they say, is history.

158 What is the physics behind percussion?

It is the physics of the delivery of a fixed amount of energy to the chest wall and its back reflection as sound. The characteristics of this soundwave (amplitude and frequency) are inversely related, whereas their product remains constant. What determines these characteristics, however, remains controversial. One school of thought considers them dependent on the underlying percussed tissues. Thus, the reflected sound would have either high frequency/low amplitude or low frequency/high amplitude, based on the type of tissue percussed. In other words:

Hence, if the strength of striking and chest wall thickness remain constant, the relative pitch of the percussion note will depend on the ratio between aerated tissue/solid or liquid medium (Table 13-2 and Table 13-3).

Table 13-3 Summary of Features of the Percussion Note

Relative Pitch Relative Intensity Percussion Note
Low Loud Resonant
Lower Very loud Hyperresonant
Medium Medium Dull
High Soft Flat

Yet another theory argues that the entire chest cage (not only the underlying tissues) resonates in response to percussion and creates the soundwave. In this sense, topographic percussion would be basically impossible, since even distant organs would participate in the sound production.

167 Is there a role for auscultatory percussion in the detection of pleural effusion?

Yes. In fact, in its original form auscultatory percussion was advocated for the detection of pleural effusion. To do so, the patient has to be seated and the stethoscope placed in the back, 3   cm below the 12th rib. The chest is then percussed downward and posteriorly, from the apex to the base. A change in percussion note from dull to loud that is localized over the 12th rib indicates the presence of pleural fluid. In contrast to other more traditional modalities of percussion, this auscultatory variety has the same excellent sensitivity for pleural effusion (>90%), but better specificity (also >90%), being usually negative in pneumonia or atelectasis. Conversely, in its newer and revised modality, auscultatory percussion is practiced a little differently (Fig. 13-17). The physician taps lightly with the distal tip of one finger over the manubrium of the sternum (and thus anteriorly), while at the same time listening with the stethoscope over symmetric locations of the posterior chest wall. The theory is that sound so generated travels unimpeded through the lungs, reaching the opposite chest wall in a symmetric fashion. Thus, any asymmetry in sound intensity is considered a sign of lung disease. By using this technique, Guarino was able to detect pulmonary lesions <2   cm in diameter (which are almost impossible to identify with conventional percussion). Studies to confirm this technique, however, have produced conflicting results.

image

Figure 13-17 Method of auscultatory percussion.

(Adapted from Guarino JR. Lancet 1:1332–1334, 1980.)

Selected Bibliography

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