Overview

The ancient Greeks understood the fundamental relationship of reflected light and sound as revealed in the story of Echo and Narcissus in which man (Narcissus) is smitten by reflected light and immune to the nuance of reflected sound (Echo). It is unlikely that the creator of this story anticipated the development of underwater sonar or medical ultrasound, but it seems plausible that she would have understood the value of echolocation as another way of perceiving the natural world.

Nature has long recognized and appreciated the perceptual gift of echolocation, which manifests in the biologic marvels of bats and whales, creatures that use echoes to map space in darkness and deep water, areas where sight is uninformative. The ability possessed by these creatures to experience the world directly through echolocation will always remain foreign to humans. We cannot replicate the vocal, auditory, and particularly the cortical adaptations required for this type of experience, so we must settle for a surrogate, which is the use of reflected sound energy to manufacture a visual representation of anatomic space. For an in-depth discussion of echolocation and other unique sensory experiences in nonhuman mammals, Howard Hughes’ award winning book Sensory Exotica is highly recommended.¹

Almost everyone who is using this textbook will have already had some experience with ultrasound, but even for the experienced ultrasonographer, it is helpful to begin with a review of instrumentation as a means of explaining how an ultrasound image is created. The discussion begins with a description of how to get started generating images with an instrument, followed by discussions of the transducer and its elements, the behavior of sound and echoes in human tissue, and how the ultrasound instrument regulates the transducer and translates echoes into an image. In parallel with these descriptions are some brief comparisons of ultrasound with electrodiagnostic technology. Neuromuscular pathology is largely corroborated, not by other imaging modalities, but by electrodiagnostic findings, so an appreciation of this technology is of value. Further, many readers have considerable experience with electrodiagnosis, and this will help them appreciate the mechanics of ultrasound. There are also some parallel discussions on the nature of human perception and how that also determines display characteristics of ultrasound instrumentation (Fig. 1.1).

Fig. 1.1 A, This figure describes ultrasound imaging using the four key elements involved: the transducer, the instrument and its controls, the patient, and the ultrasonographer. The ultrasonographer coordinates the interaction of all four elements during an examination. B, Electromyography, which can be described by a similar grid, is sometimes considered an extension of the physical examination, a role also exemplified by neuromuscular ultrasound. The directional arrows denote the multiple feedback loops that make these techniques so interactive. EMG, Electromyography.

Getting Started: Obtaining an Image

Ultrasound instruments have an impressive array of switches, dials, and buttons that can be daunting to the novice (Fig. 1.2). Even finding the on/off button to the instrument, which is invariably in a covert location to avoid inadvertent deactivation, adds to the challenge. Once the instrument is turned on, however, users quickly find that the instrument is quite intuitive and can be quickly put to use. The first step is to identify the active transducer on the instrument and then to coat it with coupling gel. It can then be placed over the wrist as shown in Figure 1.3. Note that every linear array transducer has a marking on one side, which corresponds to a marking on the display screen. The marking on the display should always be in the upper left corner of the screen, and the probe should be positioned such that the marker on the probe is pointed cephalad to the patient for sagittal imaging and to the ultrasonographer’s left side for cross-sectional imaging. This will produce images that are oriented in the same fashion as computed tomography (CT) or magnetic resonance imaging (MRI). However, it should be noted that this convention has not been routinely followed in neuromuscular imaging, so not all of the older images in this text are oriented in this fashion. In particular, sagittal imaging of the median nerve at the wrist frequently has been depicted in the opposite fashion in the literature, with the left side of the display screening showing the distal portion of the wrist, but that is an undesirable orientation, based on ultrasound convention, and should be avoided.² See Box 1.1 for other general considerations when performing neuromuscular ultrasound.

Fig. 1.2 Control panels of several different ultrasound instruments, all circa 2010. A, Philips IU22. B, Biosound Esaote MyLab gold. C, GE Logiq. Although modern instruments are digital, instrument controls can either involve continuous adjustment or incremental steps. The time gain compensation panel on each instrument is indicated by arrows.

Fig. 1.3 Probe on wrist, the fingers cover the edge indicator on the transducer, and the transducer is held to obtain a cross-sectional image of the median nerve at the wrist.

Fig. 1.25 Image showing the ease of transition from electromyography (EMG) to ultrasound in the care of patients and education of house staff.

When imaging the wrist, the base of the palm should rest comfortably on the patient’s forearm or other supported structure. An image of the contents of the carpal tunnel, and possibly the radial and/or ulnar artery should appear. The width of the image corresponds to the footprint of a linear probe (Fig. 1.4) or the radial angles of the probe if it is curved (see Fig. 4.2 and Fig 4.14). The coupling gel, in addition to enhancing sound penetration, allows the probe to slide left or right or distal or proximal to find the optimal image of the tissue in the neighborhood of the initial contact of the probe. The probe can also, with slight pressure, be angled proximally or distally. In general, structures are viewed with the probe perpendicular to the skin surface, but angular adjustments are of considerable interest as is discussed later. No more pressure than necessary should be used to scan; excessive pressure may deform structures of interest and can be tiring to the ultrasonographer and uncomfortable for the patient (Fig. 1.5). To help others orient to an image, it can help to include a recognizable landmark as well (vascular bifurcation, bone edge, etc.).

Fig. 1.4 This figure shows the difference between probe footprints. The top row shows a hockey stick (small footprint) probe on the wrist, and the cross-sectional image it generates. A sagittal image at the wrist from this probe is also included. The second row shows the standard probe and its cross-sectional image and sagittal image at the wrist for comparison. The bottom image is a direct comparison of the two types of probes. Note the extended field of view of the larger probe, which includes both the radial (R), and ulnar (U) arteries, and associated veins, the median nerve (M), and multiple tendons, whereas the smaller probe can only encompass the radial artery by sacrificing the lateral border of the median nerve. Notice how much more of the median nerve (and underlying bones in the hand) are apparent with the standard than hockey stick probe on the sagittal views. Note the reverberation artifact beneath the radius in the second row. Also note in the sagittal images that distal is to the left, as these are older images that do not follow standard convention.

Fig. 1.5 These images show the effects of compression on nerve and muscle. A, Both images are axial views of the median nerve at the distal wrist crease. Note that with minimal downward pressure (left image) and maximal downward pressure (right image) there is little change in nerve thickness or shape even though the distance between the nerve and radius is less with higher pressure. B, Both images are axial at the middle of the metacarpal (arrows) through the abductor pollicis brevis muscles. The left image is with minimal transducer pressure, the right image is with maximal transducer pressure. Note that the pressure decreases abductor pollicis brevis thickness by almost 50%. Maximal pressure at the carpal tunnel causes less deformation than over the abductor pollicis brevis because tendons and nerves are less compressible/displaceable than skleletal muscle.

Several simple adjustments can be made to change the display once the desired image is obtained. One knob on the ultrasound instrument panel adjusts the depth of the field of view.³ The depth should be sufficient to encompass the structure(s) of interest. The display screen is calibrated to indicate depth and serves as a useful reference in images for publication (see Fig. 1.4). The zoom feature of an instrument allows the user to focus in on the detail of interest, expanding it to encompass the screen with a slight improvement in resolution. Unlike MRI and CT, which are designed to automatically record standard body slices, ultrasound requires the operator to scan using multiple probe positions and angles and operating controls to capture the most informative two-dimensional (2D) images for documentation. Greater depth of field (low magnification) and zoom (higher magnification) are analogous to lens power on a microscope—lower magnification is useful for orientation and screening for abnormalities, and higher magnification is used to capture the essence of the pathologic change. If the pathology is diffuse, lower magnification (greater depth of field, as in the case of diffuse muscle pathology) may be preferred.

The brightness of the image can be controlled by the power and gain dials on the instrument.³ The power dial controls the amount of sound energy transmitted to the tissue and the gain dial the amplification of the sound echoes that return. These dials have similar but not identical functions and need to be set to optimally display the structures of interest. The dials have an analogy with photography: The power dial in this case controls the strength of the flash, and the gain dial in essence controls the film speed (with faster, e.g., more sensitive, film speeds being equivalent to increased gain). In electrodiagnosis, the power dial controls stimulus intensity⁴, and gain is used to display the amplitude of the nerve conduction study response. In both ultrasound and electrodiagnosis, excessive intensities do little to enhance the outcomes of the study.

The focal zone, typically indicated by horizontal marker(s) on the display screen, helps with resolution.³ The level of focal zones (which are horizontal) should encompass the structures of interest (Fig. 1.6). The freeze button on the instrument will stop the real-time action of the machine and display a single frame. Most instruments store (in an adjustable fashion) several seconds of data at any given time, so it is possible, once an image is frozen, to rewind slowly through multiple previous frames to capture the optimal image for storage. Of interest, the rewind and replay features of ultrasound instruments have been an industry standard for many years, yet this simple function has only recently become available on electromyography (EMG) instruments. Any frozen image can be saved for later viewing, and a variety of postprocessing capabilities for analysis and labeling are present on many instruments as well.

Fig. 1.6 Images of the median nerve in the forearm, at the level of the bifurcation of the brachial artery deep to the pronator teres. In the image on the left the focal zone is at the level of the median nerve and on the right, the focal zone is just below the surface (large flanking black arrows). Note that the detail of the structure of the median nerve is better defined on the left (upper green arrow), as is the outline of the brachial artery (lower green arrow) than it is on the right.

The Transducer

The generic term transducer refers to something that converts one type of energy into another. Biologic receptor organs are all transducers, converting different types of physical energy into electrical impulses in nerves; the retina converts light, the cochlea sound, nerve endings heat, and so on. Muscle is a transducer that operates in reverse to a sensory transducer because it converts electrical energy into mechanical energy. It does this, aided by ample reserves of adenosine triphosphate (ATP), with remarkable leverage. The act of lifting heavy objects begins as a few central nervous system (CNS) neuronal discharges on the order of microvolts, and these discharges are quickly transformed into hundreds of pounds of force. In a similar fashion, the thyroarytenoid muscles, with the help of forced air from the lungs, convert electrical impulses from neurons into sound energy. In the world of devices, converting electricity to sound is usually done with speakers, and converting sound to electricity is done with microphones. These instruments require diaphragms and electromagnets that are too bulky for medical ultrasound. Instead piezoelectricity is used.

Piezoelectric elements convert electrical energy into a pulse of sound wave energy and then converts the resulting sound wave echoes back into electrical energy.³ An array of piezoelectrical elements creates the sound energy needed to generate echoes, and the electrical signals elicited by their return to the probe characterizes the remarkable function.of the ultrasound transducer—the device placed on the skin to deliver and receive sound pulses. It is helpful to contrast an ultrasound transducer with the contact elements used in electrodiagnosis. EMG and nerve conduction studies (NCS) electrodes are of much simpler construction because they record and carry electrical signals without the need of converting to a different type of energy. For nerve conduction studies, there is a pair of electrodes for delivering electrical energy and a pair for recording it.⁴ These electrodes consist of exposed metal in rings, disks, or needles (Fig. 1.7). Once electrical signals are obtained, either directly in electrodiagnostic instruments, or indirectly with an ultrasound transducer, the signals are filtered and amplified by the respective instrument to generate a display for interpretation. At this point, both instruments convert electrical energy into light energy to create an image. In electrodiagnosis the display is of a single point of constant intensity that varies in vertical displacement (amplitude) over time, whereas in ultrasound the image is a 2D sea of points that vary in brightness over time. In EMG there is conversion of the display into sound energy as well. Sound is typically part of the display in ultrasound only with Doppler blood flow studies. As would be expected from their more complex design elements, ultrasound transducers are significantly more expensive and more fragile than electrodiagnostic electrodes.

Fig. 1.7 A, The devices required for performing electrodiagnostic studies: a measuring tape for measuring the distances between stimulation sites and stimulation and recording sites, tape for securing surface electrodes, a variety of surface recording electrodes (ring, bar, disk, plate), and a stimulating electrode. Two types of electromyography needle electrodes, the longer one is monopolar, the shorter is concentric; alcohol for decontaminating the skin, and electrolyte paste for reducing the impedance of the skin. B, The ultrasound transducer that is used to contact the skin of the patient, along with the gel used to enhance sound transmission through the skin. Of note, ultrasound gel works well as conducting paste for electrodiagnosis, but the reverse is not true. Not surprisingly, the set-up time for ultrasound is less than that for electrodiagnosis.

EMG textbooks often devote several pages to describing the unique features of EMG electrodes because subtle differences in structure can lead to minor, but argued over, differences in recording characteristics (see Fig. 1.7).⁴ With ultrasonography the function of the transducer is more complex than a simple recording electrode and intimately linked to the instrument, so ultrasonographers tend to fixate less on the predictable consequences of minor design variations and more on figuring out the best way to create an optimal image with the technology at hand. The following discussion of transducers serves to highlight their limitations and possibilities in evaluating patients with neuromuscular disease.

Compound Structure

An ultrasound probe actually contains an array of multiple tiny component piezoelectric transducers each providing a single line of ultrasound data (Fig. 1.8). By seamlessly stitching together each of these lines of data, the display creates a 2D image in the same way that old television screens created images from parallel lines of display.³ Ultrasound transducers come in many shapes. When using ultrasound to study the heart it helps to have a curved surface so that when the probe is placed against the ribs, it is able to scan a larger tissue area through a narrow aperture.² Internal probes for vaginal, rectal, and esophageal imaging have shapes that conform to the anatomic requirements of their use.³ At the greatest extreme, intravascular ultrasound probes can be used to examine arterial walls.⁵ All involve different arrays of transducers or a motorized transducer or set of transducers. For neuromuscular imaging, the most commonly used probe is a linear array probe because most imaging planes are compatible with this shape. A hockey stick probe, which is a linear probe with a smaller footprint and extended handle, is sometimes useful for imaging around bony surfaces, such as the medial epicondyle.

Fig. 1.8 A drawing of an ultrasound transducer that has had the impedance matching material and cover removed. Note the multiple transducer elements, each with its own electrical contact. The thickness of the ultrasound power cord (see Fig. 1.7) reflects the fact that most transducers need wiring for hundreds of elements.

Miniaturization with Piezoelectricity

The critical principle underlying ultrasound transducers is piezoelectricity, a property inherent in different types of special materials.³ This phenomenon was first described in quartz crystals. Whereas noncrystalline quartz contains a disordered arrangement of silicon dioxide molecules, quartz crystals have an orderly lattice that is determined by the electrostatic charges of the individual molecules, which incidentally have an asymmetric polar configuration. Application of a current across this lattice leads to absorption of energy, changes in electron orbits, and consequently shape changes in the underlying crystal (Fig. 1.9). This abrupt dimensional change creates a sound pulse. The application of mechanical stress to a quartz crystal, in a reverse fashion, causes an electrical current, making this material ideal for use in phonograph pickup needles or ultrasound transducers.

Fig. 1.9 This is a schematic of how piezoelectric materials respond to an electrical current. Because of the inherent asymmetry of the underlying chemical structure, when a current is applied there is a shift in molecular dipoles, causing a change in the shape of the piezoelectric element.

Currently, lead zirconate titanate,³ a piezoelectric ceramic, is used for ultrasound transducers. Although this chemical is not naturally piezoelectric, when it is heated to more than approximately 350° C in an electromagnetic field, the molecules can quickly be induced to assume a dipole-driven lattice that confers piezoelectric properties. When cooled, the application of a voltage across this material causes it to thicken or thin as the suspended molecules turn their dipoles toward or away from the electrostatic charge. This shape change, in a small wafer of material, generates the sound pulses used in modern ultrasound transducer probes. These small wafers can be arrayed in a linear fashion, each with its own separate wiring, to create the typical ultrasound transducer.

Sound Pulse Technology

At its simplest, echolocation involves a single sound pulse, followed by an evaluation of the timing and intensity of any returning echoes.¹ Bats use their vocal cords to emit short pulses of sound to create echoes. Humans, ill-equipped for this task, can shout into a deep well and infer from the delay of the sound return something about its depth, and by the quality of the sound something about the reflecting materials in the well. If there are smooth stone sides and a water reservoir at the bottom, a sharp crisp echo will return. If instead moss covers the walls and leaves coat the bottom, a muffled softer sound will be heard.

Ultrasound relies also on single sound pulses to create an echo trace.³ The sound is produced by the transducer element, the sound penetrates soft tissues, and as the sound passes through the body, tissue interfaces at different levels create multiple echoes of different intensities. At each interface, some sound is reflected and some is transmitted. The echoes return at different times to the transducer element, which converts them to a trace signal. The latencies of the echoes provide information about spatial relations (depth of the reflective surface), and the intensity of the echoes provides information about the types of reflecting surfaces.

Humans primarily use sight to map space, and this is why ultrasound data are displayed as an image. Most vision is based on a source that bathes a scene with a constant flow of light energy, such as the sun or a light bulb. This contrasts with ultrasound, which maps space with pulsed sound; its equivalent would be a fast-pulsing strobe light. An echo is a reflection of an entire sound pulse, so the shorter the pulse, the less likely an echo will return during the pulse itself, and the less likely that early and late components of sequential pulses will interfere with each other.³ Typically a B-mode ultrasound pulse is 2 to 3 cycles of sound energy in duration, and at 10 MHz, this takes about 0.2 to 0.3 μs. Of interest, bat calls are of much longer duration: 0.2 to 100 μs, but their calls cover much greater distances, perhaps 50 meters or more. Appropriately, call duration shortens, improving localization, as a bat approaches a target of culinary interest, such as a moth.

Ultrasound transducers emit many pulses of sound per second, which constitutes the pulse repetition frequency.³ It can be thought of as similar to the frame rate on a video camera, and it is of importance in determining the temporal resolution in an image. Duty factor is a term that calculates the percentage of time the transducer is actually emitting pulses, which is substantially shorter than the time it spends receiving echoes. The total energy emitted by a transducer correlates directly with the duty factor and determines certain physical effects such as tissue heating.

Tissue responds to insonated sound pulses by generating echoes. It is the job of the instrument to re-create an image from this information. How the instrument does this requires an understanding of how pulsed sound behaves in human tissue.

Sound: Fundamental Principles and Its Behavior in Tissue

Speed of Sound

Sound is a traveling pressure wave. Unlike an ocean wave, in which the direction of the amplitude (vertical) is out of plane with the direction of travel (horizontal), sound waves consist of alternating compressions and rarefactions of molecules in the medium through which it travels (Fig. 1.10). Such changes can be measured by pressure, density, or particle vibration, all of which can be considered acoustic variables.³ As with any wave, sound has intrinsic detectable wavelengths, periods, and frequencies, all of which are interrelated. The speed of sound propagation, however, is not a property of the type of sound energy, but rather of the medium of transmission. Sound propagation speed is related to stiffness of a tissue, or more precisely, hardness. As such, it travels slowly in easily compressed gases, more rapidly in fluids and body tissues, and fastest in solids. An intuitive sense of sound propagation is readily derived from experience with a Slinky, a toy originally constructed of a wound coil of flexible metal (Fig. 1.11). Mechanical energy creates standing waves of alternating rarefactions and compressions of successive spirals of the coil; these waves travel faster if the coil is tightly wound with harder metal. Tightly wound Slinky toys travel down steps faster than less tightly wound and looser versions (e.g., plastic).

Fig. 1.10 This is a schematic comparing a traveling wave (the superimposed sine wave) with the alternating compression and rarefaction of molecules that are seen with the compression wave of sound energy.

Fig. 1.11 This is another way to compare a transverse and compression wave; the bottom figure resembles that of a Slinky toy.

The variation of sound propagation in different materials is of significance both generally and clinically. An approaching train can be detected sooner by putting one’s ear to the rail than by listening through air for the sound it makes. On average, sound travels about four times faster through metal than through human soft tissue, which is minimally faster than through sea water, and in turn about four times faster than in air. The hardest substance known to man, diamond, also conducts sound the fastest at 12,000 m/s (Table 1.1).

Table 1.1 Speed of Sounds in Different Substances

Material	Velocity (m/s)
Air	331
Fat	1450
Water (50° C)	1540
Human soft tissue	1540
Brain	1541
Liver	1549
Kidney	1561
Blood	1570
Muscle	1585
Lens of eye	1620
Tendon	1650
Ice	3152
Skull bone	4080
Brass	4490
Aluminum	6400
Diamond	12,000