Chapter 1 Anatomy
INTRODUCTION
A working knowledge of anatomy is essential to perform any of the myriad procedures associated with cutaneous oncology or esthetic correction of the aging face. Without an in depth working understanding of the pertinent anatomy, there is a real potential for the surgeon to cause damage by cutting into a vital structure or to be so insecure as to not progress very far in one’s acquisition of sophisticated surgical skills.
SURFACE LANDMARKS AND SURFACE ANATOMY
Masseter Muscle and Mid-Pupillary Line
The masseter muscle is a good starting point. It is the large muscle of mastication that occupies the lateral portion of the cheek below the zygomatic arch (Figure 1.1). The parotid gland rests on this muscle. At its anterior border on a line drawn from the tragus to the middle of the upper cutaneous lip, the parotid duct can be identified as it dips inward piercing the buccinator muscle to open into the mouth at the level of the second upper molar. Also, at the jaw line, just at the anterior border of the lower masseter muscle, the facial artery and vein enter onto the face. Pulsation of the artery is often possible at this location. The superficial temporalis artery pulse can be felt just anterior to the ear at its superior attachment. Just beyond this it splits into superior and parietal branches.
The mid-pupillary line is identified with the patient sitting up and gazing straight ahead. Three important openings in the skull can be located (Figure 1.2). The superior orbital foramen is located at the superior orbital rim. Through it exits the important supraorbital neurovascular complex. Similarly, the infraorbital foramen, about 1 cm below the inferior orbital rim, contains the infraorbital neurovascular artery, vein and sensory nerve. Finally, the mental foramen, located in the alveolar bone of the mandible in the mid-pupillary line, contains the mental artery, vein and nerve. The exact location of all three of these orifices is important when performing respective nerve blocks of the sensory nerves exiting them.
Relaxed Skin Tension Lines (RSTL)
The lines and wrinkles that develop with age and sun exposure become an easily recognizable road map of the face. These wrinkles and creases, first noted as hyperanimation smile lines or frown (scowl) lines, may become permanently etched as elastic tissue degenerates and becomes ineffective in resisting the pull of the underlying muscles of facial expression. These are referred to as the relaxed skin tension lines (RSTL) (Figure 1.3) and run perpendicular to the exertion of the mimetic muscles below. These lines are often the best choice for the placement of elective scar lines on the face. When they are readily apparent, no problem is posed in designing scar orientation. In younger people, having them animate by grimacing, wrinkling the forehead, smiling or puckering will usually expose the RSTL sufficiently to make the correct choice. Similarly, pinching the skin from various directions will also reveal the flow of the RSTL. Scars not oriented within or parallel to the RSTL are generally more noticeable, as they don’t go with “flow” of the region. This is especially apparent when the patient is smiling or going through some other active form of dynamic emotional expression.
Cosmetic Units and Junction Lines
One of the major conceptual advances over the past decade or so in reconstructive and aesthetic surgery is the refinement and widespread acceptance of the junction lines and cosmetic (aesthetic) units of the face (Figure 1.4). Cosmetic unit junction lines are the lines on the face at the borders of the cosmetic units. They include the well-defined melo-labial fold that separates the cheek from the lip, the mental-labial crease that divides the chin from the cutaneous lower lip, the hairline, and the jaw line. More subtle junction lines separate the cheek from the nose (nasofacial) and lower eyelid from the cheek. The nose has several subunits defined by the alar groove, the dorsal crests and the nasofacial line. Collectively, these are the outlines that caricaturists use along with exaggerated features (broad forehead, wide-set eyes, protruding nose) to rapidly define an individual’s countenance and personality. They are also the best location for camouflaging scars. Since lines and shadows are anticipated in these areas, scars tend to visually disappear when placed within them. Conversely, scars crossing junction lines are all too noticeable.
Free Margins: Concept of Tension Vector of Closure
Another important concept when performing facial surgery is that of the free margins; the eyebrows, eyelids, lips and nostril rims. These are important as they offer little resistance to the forces of wound closure and can be easily distorted by excess tension. This can occur from the immediate direct exertion of tension by a side-to-side closure or the delayed application of tension as a second intention healing wound or split thickness graft site contracts. The resulting asymmetries can be both cosmetically unsettling and functionally disabling. Ectropion of the lower lid can lead to permanent visual problems while eclabion and lack of a proper oral seal can cause problems with phonation and eating/drinking while looking unsightly.
The tension vector of closure can be favorably manipulated by one of several techniques:
THE AGING FACE
With time, predictable wrinkles and sagging take place (Figure 1.5). This is compounded in some people by changes more related to overexposure to the ultraviolet radiation in sunlight. As noted earlier, youngsters and on into the early thirties, most people do not have wrinkles at rest (Glogau I). The RSTL first appear as hyperanimation lines opposite the pull of the underlying muscles of facial expression (Glogau II). The crow’s feet lines and crinkles under the eyes when smiling are usually the first to become noticeable. With time, the elastic tissue and collagen fascicles that traverse the subcutaneous fat compartment and bind the muscles of facial expression to undersurface of the dermis degenerate and the RSTL become permanently etched on the face (Glogau III). If the patient has significant photo-damage with deposition of solar elastosis within the papillary dermis, the lines become even more prominent, usually with a pronounced roadmap of lines all over the face (Glogau IV).
Along with these events, the incessant pull of gravity and laxity of restraining fascial tissue results in a generalized sagging of the skin that manifests as brow ptosis, dermatochalasis of the upper eyelids, bags under the eyes, vertical lines in the preauricular area, deepened melo-labial folds, rhytids of the lips and pronounced jowls. These areas of redundant and excess, along with the temple and the glabella, constitute the reservoirs of skin available for recruitment for tissue rearrangements.
THE MUSCULOAPONEUROTIC SYSTEM
Introduction
Muscles of facial expression are unique in that they are the only muscles to insert into the skin. They do so via fibrous septae that connect the superior portion of the muscle to the undersurface of the dermis. They also insert or interdigitate with the other mimetic muscles. So while the frontalis muscle wrinkles the forehead and raises the eyebrow, it also helps open the eye widely by partially inserting into the upper fibers of the orbicularis oculi muscle (Figure 1.6).