Transducers and Instrumentation

Published on 06/02/2015 by admin

Filed under Anesthesiology

Last modified 22/04/2025

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Transducers and Instrumentation

Christopher J. Gallagher and John C. Sciarra

Piezoelectric Effect

Understanding the piezoelectric effect takes the mystery out of “Just what the hell is that little gizmo at the end of my probe, anyway?”

To make a sound wave, you need to wiggle something.

Bang-a-gong, the metal vibrates, and the sound waves go forth. Now let’s just tie a little creature to the end of a gastroscope, and have him bang-a-gong fast enough to create 7 million cycles/second for 20 minutes straight.

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No go. We need a better way to get so much wiggling. The guy banging the gong just won’t do.

Millions of times per second? Better go to electricity, that’s the only thing that can give you that many wiggles per second. But how to get electricity to wiggle something? Electrify a gong?

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Piezoelectric crystals to the rescue! These are quartz or ceramic things that have a magical property. When a current is applied to them, the polarized particles align perpendicular to the face of the crystal. When the current goes off, the particles no longer align. This alternating aligning and nonaligning results in the face of the crystal bowing out, then coming back, in effect wobbling just like the gong.

(Who the hell figures this stuff out the very first time, I want to know.)

OK, groovy, so this electrical thing makes a mechanical wave. How does a piezoelectric crystal “hear”?

Well, according to the Principle of Electromechanical Turn-It-Around-ness, when a wave comes into and hits the piezoelectric crystal, it causes a mechanical deformation that then makes a current change. So,

Axial and Lateral Resolution

(Here again, we’re chopping up stuff that should run together.)

Arrays

To get the vast amount of information necessary for a “movie of the heart,” you could have one “supertransducer” sweeping back and forth. That doesn’t fly, though; instead, modern TEE relies on a bunch of transducers spread out and all looking in the same direction. Some kick-ass mathematics and computer stuff straighten all those signals out.

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The most likely transducer you will use is the phased array. So if some know-it-all asks you what kind of transducer you have in your hand, say “a phased array”.

The way it works is in the diagram above. Basically, crystals that are lined up fire in sequence. Where the individual waves meet (summation front) is a point, and this forms a single line or sector. Put a whole bunch of sectors together and you have the pie-shaped image we are so familiar with.

The biggest complication is the hardest to quantify—distraction. I kid thee not, people will glue their eyes to that echo screen and ignore a blood pressure of 60 or a heart rate of 140, they get so mesmerized by the image. Especially when first learning, make sure someone is “guarding the fort” while you tiptoe through the ultrasound airwaves.

Mechanical damage to teeth or upper airway and (most dreaded of all) esophageal rupture are also complications. Patients may also complain of difficulty swallowing post TEE insertion.

Instrumentation

A quarter-million-dollar rolling TV?

More knobs than Miami Beach has sand granules?

That’s MY summary of TEE instrumentation, but the test may go into more detail than that. The scope itself is a modified gastroscope with the precious transducer at the end. Ancient probes, unearthed in Pompeii, had only one plane or two planes, but all the modern ones have the omniplane capability.

The ultrasound TV and its associated rat’s nest of knobs, video connections, and computer connections is called a platform. You cannot get Walking Dead on the TV, no matter how much you roll around the track ball, so satisfy yourself with ultrasound images.

The test may zoink you on how the knobs work. The next time you do an echo, make a point of wiggling every damn knob every which way and seeing what happens on the screen. On the test, they may, for example, pull the knobs to very high gain at a certain depth on the Depth Gain Compensation knobs and give you a streak of snow halfway down the picture and ask you, “What just changed?”.

Here’s a rundown on the knobs, taken from the (cutely named) “Knobology” Lecture at the TEE conference. (This stuff is dry as toast and easily goes into the Insta-Forget sulcus of your brain, so do what I said before: play with the knobs on your machine and know what each one does.)

Displays

(I’ll be honest, I’m not quite sure what they’re driving at here, but this is my guess.)

The image we get is displayed upside-down relative to the patient. That is, the image as we see it, with the pointy part of the pie slice at the top of the image, shows the patient as if we were looking at a prone patient from the top of the bed. The tip is the left atrium. The left side of the screen is the patient’s right side, and the right side of the screen is the patient’s left side. If the omniplane angle goes 180 degrees around, then the right/left situation is reversed. The patient’s right side is the screen’s right side, and the patient’s left side is the screen’s left side.

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When the omniplane is at 90 degrees, then the patient’s inferior aspect is on the left and the anterior aspect is on the right of the screen.

Answers