27. Diagnosis – levels and golden keys
Chapter contents
Introduction216
Diagnosing level – body, mind or spirit216
The golden key approach to discovering CFs220
Introduction
This chapter covers two important methods of diagnosis. The first is based on the notion that a person functions on three levels: a physical level, a mental level and a spirit level. (We have described in Chapter 3 how Traditional Chinese Medicine spoke somewhat differently about levels. Shen encompasses both mind and spirit. In this chapter we will discuss the mind and spirit separately.)
The second method is called ‘Golden Keys’. This involves noting particular aspects of a patient’s behaviour that are so strikingly individual to that person that they are indicative of a profound level of imbalance in one of the Elements.
Diagnosing level – body, mind or spirit
The purpose of determining the level
Determining the correct level of treatment affects both the selection of points and the practitioner’s intention (yi). Patients who are primarily imbalanced at the level of their ‘spirit’ may require practitioners to use points that predominantly affect this level. Points have many overlapping uses and can often affect more than one level, so this emphasis is a matter of degree. In many cases the yuan-source points and/or the Element points are sufficiently broad ranging to have the required effect. At other times, however, focusing on spirit points can be crucial. Point selection is discussed in Chapter 45 on treatment planning.
Clarifying the terms body, mind and spirit
Although the terms ‘body’, ‘mind’ and ‘spirit’ are not used in the common translations of Chinese medical texts, Chinese medicine has always been concerned with the patient’s spirit. Indeed, much of acupuncture’s appeal in the West has been because Chinese medicine pays attention to a patient’s spirit as well their body.
It is desirable to classify which of a patient’s symptoms stem from imbalance of which level. For example, a person with a sprained ankle has a physical problem. A person who is unable to think clearly or remember things has a mental problem. A person who is well qualified and wanting to get work when it is available, but who somehow cannot manage to get that work, probably has a spirit problem. In this case the body is not complaining, the mind seems to function well, but it might be said that the spirit is not willing.
Some classifications are less easy to make, however. For example, nightmares that arise from eating cheese late at night or skin problems apparently due to an allergy are more difficult to classify. J. R. Worsley partially explained this issue when he wrote:
If the body is sick, the mind worries and the spirit grieves. If the mind is sick, the body and spirit will suffer from its confusion; if the spirit is sick, there will be no will to care for body or mind … imbalances, and the illnesses arising from them, are always experienced at all levels.
(Worsley, 1990, p. 185)
There are some circumstances when a patient is sick on one level only and the other levels are healthy. As the quote above explains, however, illness on one level will generally affect the others so all levels are usually affected to some degree. In spite of this, a practitioner still needs to decide on the level that is primarily out of balance. Treatment is then directed towards that level.
However, we make a decision about the primary level of illness and that will determine our selection of points and the type of treatment required. We decide which of the three levels is in the most trouble and needs to be the focus of our help at this time.
(Worsley, 1990, p. 186)
Although practitioners can be guided by their patient’s signs and symptoms, they should not be misled by them. Whatever the patient presents, whether this is a sprained ankle or a reluctance to get out of bed in the morning, practitioners still need to make a decision about the ‘primary level of illness’. The primary level is the one that will most improve the patient’s functioning as a whole.
A patient’s imbalance is not diagnosed by simply adding up the symptoms or other signs manifesting from the body, mind and spirit and arriving at a result. Although signs and symptoms matter and a practitioner should notice their balance, it is still important to remember that a disturbance on one level causes a subsequent disturbance on another.
So how do we decide?
Making the diagnosis of the level
In order to diagnose the level of a patient’s imbalance, the practitioner needs to look deeper than the symptoms and observe how well a person’s body, mind or spirit is working. The following sections are designed to help the practitioner to focus attention on these different levels.
The physical level
Because the body is frequently affected by dysfunction of the mind or spirit, it is essential to discover how a patient’s physical problems arose. The more obvious the physical or environmental cause, the more likely it is that a symptom is a genuinely physical problem. A sports injury, sunstroke, being caught in a snow storm and suffering from cold, food poisoning, living in a damp area and having stiff joints are all predominantly physical problems because their origin appears to be physical. At the same time, however, a person may also have underlying deficiencies, which have resulted from problems at a deeper level and these must still be taken into account.
Practitioners can make a further check by discovering what affects the symptom, for example, whether further activity makes the injury worse, whether exposure to the sun is debilitating or whether wearing wet clothes after a rain storm makes the joints even stiffer. Physical symptoms can, however, also be radically affected by the state of the patient’s mind or spirit. For example, a patient’s pain in the neck may get worse when she or he is anxious or frustrated but the cause is still physical.
The mental level
People’s ability to think is a reflection of their mental level. Practitioners can therefore evaluate the mental level by assessing a patient’s mental clarity, memory and by noticing their ability to solve problems. For example, when people’s minds are clear they can solve problems by:
• staying focused
• clearly defining what their goals are
• knowing what resources they already have and what they need to obtain
• drawing on the expertise of others who have already solved such a problem
• balancing costs (of all sorts) against benefits
• assessing whether the solutions are achievable
• considering the effect of each solution on the rest of their life
• making a good choice
While taking a case history the practitioner can observe how well the patient’s mind has worked when dealing with past problems. It also provides opportunities to ask patients how they will deal with current situations.
Another common sign of a mental level problem is an unrealistic attitude to what causes events to occur. People have widely differing notions of what makes things happen, so it is useful for the practitioner to explore this area generally when using it to make an assessment of the patient’s mental level. If a patient says that in order to get a larger house, they are going to buy more lottery tickets, the practitioner may wonder if the patient’s imbalance is primarily at this level.
The spirit level
Because the spirit is more subtle than the mind and body, it can be more difficult to diagnose. In order to diagnose this level accurately, it is often important for practitioners to be aware of the context of the patient’s life situation. For example, some patients may seem to be very healthy until a difficulty arises. The fragility of their spirit then manifests as they crumble under the strain of what appears to others to be a relatively minor problem. In contrast, even a very healthy person may have difficulty coping with an emotional shock if it is severe enough.
The health of the spirit manifests in various ways. Listed below are some areas that the practitioner can observe:
• The look in the eyes and eye contact. The sparkle in a patient’s eyes and the patient’s ability to make eye contact are two of the most reliable ways of assessing the spirit. The eyes of a healthy person are shiny, clear and bright and the person is able to make good eye contact. If the spirit is not healthy the eyes may be dull and lifeless and eye contact is less direct. In some cases the eyes may reveal something of the agitation in the patient’s spirit.
• Posture. A person whose spirit is healthy has an upright posture. A person with a less healthy spirit is often more slumped. The posture may be slumped in the head, chest or abdomen or the person may not stand upright but instead tilts to one side. Agitation in the spirit may make it hard for patients to keep their body still.
• Clothing and hygiene. People with a healthy spirit are likely to take some pride in their appearance and personal cleanliness. When people are either over-obsessive or at the other extreme are unkempt and no longer care about their appearance and hygiene, this may indicate that they are unwell at this level.
• Communication. People with a healthy spirit will tend to have relatively clear verbal and non-verbal communication with others. People who are unwell in their spirit are more likely to avoid or be evasive and indirect in their contact with others.
• Language. People who have a healthy spirit are likely to use clearer and more positive language than those with a less healthy spirit. People with problems at the spirit level are more likely to use language peppered with words like ‘I can’t’, ‘I won’t’, ‘It all seems hopeless’, ‘I feel helpless’. Although they may be physically and mentally capable, they may feel powerless and unable to do certain activities because of their fragile spirit.
• Relationships. People with a healthy spirit will be able to give love to others and enjoy receiving others’ love. Those with less healthy spirits will have more difficulties giving love to others and knowing that they are loveable.
• Dealing with difficulties. People with healthy spirits are likely to attempt to work through problems that arise in their lives or to move on when a problem is irresolvable. People with a less healthy spirit may easily give up and resign in the face of adversity. Alternatively they may hold on and try to prevent change at all costs rather than let go when problems are irresolvable.
• Purpose and meaning. People with a healthy spirit have a sense of their life being meaningful and are endeavouring to fulfil their potential. Those with a less healthy spirit are more likely to feel that their life has no meaning or purpose.
• Emotional reactions. Patients with a healthy spirit are more likely to experience their various emotions as they arise and to work through their emotional distress. Those with a less healthy spirit are more likely to become overwhelmed by their emotions when they are distressed or to suppress their feelings and have very little outward emotional reaction. People’s emotional reactions may also appear to be out of context to the severity of the external situation.
Diagnosing the inner capacities of a patient
It can help practitioners to deepen their understanding of their patients’ spirits if they focus on the inner capacity of each Element. For example, looking at each Element, people should have the ability to:
• love and enjoy themselves
• care and nourish others and allow themselves to be cared for
• feel grief appropriately, receive inspiration and let go of what is no longer required
• protect themselves and feel safe
• grow and develop and assert themselves appropriately
Practitioners can use their knowledge of the Five Elements to consider which of these aspects are healthy, which are deficient and where the patient’s potential is not yet manifested. The practitioner can focus on any aspect from the above list and make an assessment. For example, the practitioner may decide that a patient has an imbalance in the area of caring and nourishing. When practitioners are planning future treatment they can consider including spirit level points that have an effect on this function. This area of diagnosis will usually dovetail with that of the CF.
The practitioner could also go further by gently questioning whether the patient is happy with that area of their life and whether they have hopes or wishes for being better cared for and to care better for others. It is important for practitioners to be sensitive at this stage as they may be entering an area where a difficulty in the spirit will manifest. The response may be unpredictable. These aspects of a person’s spirit are often highly defended and full of ambivalence, awkwardness and pain. Three things are essential: high-quality rapport, complete acceptance of the patient whatever they say, and accessing the appropriate inner state.
Box 27.1 outlines a way of developing the ability to assess patients’ spirits from their eyes.
Box 27.1
Look at the eyes of all the people you contact over a period of a week. If looking at everyone is too difficult, decide when you will do this. For example, it may be with friends, people on the street and in shops or with people at work. Using a small notebook write down what you saw, for example, ‘eyes looked hard’ or ‘sad-looking eyes’ or ‘sparkling and clear’. When you have notated about 30 observations, decide on a method of notation for a spectrum of qualities that interest you. These may be, for example:
• sparkling to dead
• worn out to energetic
• soft to hard
• clear to dull
• jittery to steady
Devise a scoring system such as from 1 to 10 and rate the next 30 people using the two qualities you have chosen. For the next stage, decide on two different qualities and continue to use a notebook to record them.
Diagnosing through response to treatment
The results of treatment often reveal the level of treatment the patient requires. In general, a person will show pleasure if they have relief from pain, regain the ability to walk freely or are able to sleep again. Sometimes patients surprise us and continue to complain even though their physical symptoms have disappeared. This may indicate that the problem is at a deeper level and treatment has not yet reached this level. Practitioners can use the patient’s response to changes from treatment to refine their diagnosis of the level.
It is also interesting to observe how the patient responds when asked how she or he has been since the previous treatment. It can be indicative of the state of the person’s spirit if they reply in terms of their mood or how they have felt in themselves rather than their main complaint. Their physical symptoms may be distressing for them but are relatively unimportant compared to how they feel in themselves.
A patient came for treatment complaining of almost daily migraines. The woman was expressionless, seemed reluctant to be in the treatment room and reticent to say much about herself, other than having migraines. She gave very little feedback, but when pressed at the beginning of the fourth treatment, she reluctantly told the practitioner in a very flat voice, that she had not had a migraine for two weeks. The practitioner was very confused and took some time to conclude, and several treatments more to verify, that the treatment was in some sense correct, but was definitely not getting to the correct level. Change in the patient’s physical condition was not leading to a change in her spirit.
The ability of the practitioner to direct treatment to the appropriate level of body, mind or spirit is one of the most important keys to successful treatment. For more on this, see Chapters 37 and 46. Sometimes it is necessary to treat a physical problem with a very ‘physical’ approach. At other times it is appropriate for practitioners to connect with a deeper level. In order for patients to benefit at the level required and return to health, practitioners must focus their intention and take great care in the quality of rapport and in their choice of points.
The golden key approach to discovering CFs
The golden key method of diagnosis is an approach that is often intuitive and was developed by experienced practitioners. It is described in this chapter as a supplementary approach to diagnosing the CF. Its use partly depends upon developing an understanding of non-traditional Five Element resonances.
One of the drawbacks of this form of diagnosis is that practitioners may use it when they are uncertain about the patient’s colour, sound, odour and emotion. This is not a viable option for practitioners who truly wish to grow and develop their skills. This is because it is the cultivation of the senses and the ability to see, hear, feel and smell that eventually allows practitioners to improve their levels of expertise.
Traditional and non-traditional resonances
The difference between a traditional and non-traditional resonance
Colours, sounds, emotions and odours are traditional Five Element resonances that are laid down in the Nei Jing. Non-traditional resonances have never been written down in the Chinese classics. Instead they have been developed recently by practitioners and have been drawn from the observation of thousands of patients. Using their understanding of the Element and the associated Officials, the practitioner decides that certain behaviour or attitudes are resonant with a particular Element. Much of the material for this form of diagnosis is set out in chapters associated with each CF.
The nature of golden keys
Golden keys are usually significant moments that strike a practitioner as odd, quirky or unusual. They are often expressed via the patient’s words or behaviours and they often carry a sense of being an unhealthy rather than healthy expression of the patient.
To begin with practitioners might notice something unusual about the patient and their curiosity is aroused, but at the same time they may not associate golden keys with any particular Element. The practitioner may wonder what could cause the patient to behave or think in this way and she or he strives to understand the underlying cause of this particular behaviour. It is this cause, rather than the behaviour itself, that informs the diagnosis. For example, noticing that a person has withdrawn from others does not help the diagnosis. Realising what has driven them to withdraw, however, could be the key to a correct diagnosis.
An example of a golden key
A patient, Mr Green, was a secondary school teacher. He was threatened by a possible thrombosis in his leg and wondered whether acupuncture could help. Throughout the case history, Mr Green mentioned several accidents that had occurred to him. The first was when he was 6 and he lost an eye when he and a friend were going fishing and climbed over a farm gate. His friend’s fishing rod entered his left eye, with the result that his sight was severely impaired. He said that this accident happened on 5 August 1931 in the early morning. There were another five such ‘accidents’ and for each the date and time were given, without prompting. By the third account, the practitioner was thinking, ‘This is odd. So many severe accidents and such precise times and places.’
The incident immediately preceding the threatened thrombosis was not presented as one of these incidents, but it had a similar flavour. A student in Mr Green’s school had mischievously set off the fire alarm knowing that, because of regulations, the whole school would be required to assemble in the playground with all students being accounted for. Classes were severely disrupted. Mr Green thought he knew the culprit and was inwardly furious. The weather in the playground was very windy, which Mr Green commented upon, and said he found annoying. The swelling of his leg occurred that evening.
What are the golden keys? There were several accidents and the patient knew the date and time of each one. They all seemed to be accidents, but after one or two the practitioner became suspicious. Yet no one deliberately arranges for his or her eye to be poked. The practitioner might ask, ‘What might tie all these incidents together?’
At this point, those who are new to the Five Elements may be puzzled, but most experienced practitioners, whatever style they practise, would probably have the Element or the Organ in mind, especially as there are some helpful associated clues – the anger and the wind.
What is the method?
The process
Assuming that the golden key represents a more generalised pattern and truly is a pathological manifestation of the patient’s underlying imbalance, the method of diagnosis is as follows:
• The practitioner is struck by some odd behaviour or statement
• It is useful for the practitioner to describe what exactly it is that is odd. For example, is it just the accidents, the number of them or the exact dates and times?
• The practitioner can check that it really is a pattern and notice if it is repeated
• All Organs and Officials have different capacities (see the section ‘Diagnosing the inner capacities of a patient’ above). The practitioner asks her or himself what capacity is missing or impaired that could cause the event(s) to happen
By now it is probably easy to guess that Mr Green is a Wood CF. The Gall Bladder is the Organ responsible for judgement and the Liver is responsible for planning. His pattern was to both put himself in places of danger, evidencing poor judgement, and to also remember and communicate vast amounts of detail, implying over-planning. Both of these behaviours are significant golden keys and should be used to support the use of colour, sound, emotion and odour but not to replace it.
When processing golden keys, other resonances, such as wind and anger, may also come up and these should also support the diagnosis. The use of colour, sound, emotion and odour alongside the golden keys confirms the power of the Five Element approach when assessing the overall pattern.
It is with trifles, and when he is off guard, that a man best reveals his character.
(Schopenhauer; Auden and Kronenberger, 1962)
Using the method
The method for using golden keys that is written down in the above section is rarely carried out in its entirety. Under normal circumstances practitioners are struck by the behaviour or information and attribute it to an Organ or Element.
By treating patients, establishing their CFs and seeing them change as a result of treatment, practitioners build up a repertoire of patterns or ‘resonances’ that are non-traditional, but are nevertheless based on clinical experience. The greater the practitioner’s experience, the more solid and reliable is their repertoire of unconscious patterns. Intuition builds faster when it is encouraged. New practitioners who consciously ask the three questions listed below will be more inclined to develop intuition and discover more ‘golden keys’.
• What does this person do or say that is odd and possibly pathological?
• What capacity of which Organ, were it diminished, could explain this pattern?
• What aspect of this patient’s potential is not being realised?
A patient was a primary school teacher aged 29. She was suffering from great exhaustion and regular illnesses and complained bitterly as she was so passionate about her teaching. She loved her students (7 to 8-year-olds) and the craftwork that she taught. Her energy and passion about her complaints was as strong as her passion about teaching. She explained, with great displays of energy, how much effort she had to put into her work in order to keep going. The practitioner was struck both by her exhaustion and the emotion and effort expended in describing it. It became clear that it was desperate willpower that was keeping her going. Other signs corroborated that she was a Water CF. Treatment on Water changed her presentation and exhaustion.
Over time, some of these golden keys become part of the practitioner’s diagnostic framework and the practitioner begins to notice that certain behaviours correlate with certain CFs. These are written about in greater depth in the chapters on the patterns of behaviour of the CF.
It is important for practitioners not to rely solely on golden keys when identifying a patient’s CF. To prevent incorrect generalisations and explanations from being made they must always then be checked against colour, sound, emotion and odour and subsequently against the results of treatment. An ongoing verification process is essential as only then can valid generalisations be made.
Summary
1 Treatment may need to be directed at the level of the body, mind or the spirit.
2 Determining the correct level of treatment affects both the selection of points and the practitioner’s intention.
3 The health of the spirit can be observed by the practitioner in a number of ways, including:
• the look and sparkle in a person’s eyes and their eye contact
• their posture, clothing and hygiene
• their communication and language
• their relationships
• how they deal with difficulties
• the purpose and meaning in their life
• their emotional reactions
4 Practitioners may supplement their diagnosis of colour, sound, emotion and odour by using ‘golden keys’. Golden keys are usually significant moments that strike a practitioner as odd, quirky or unusual. They are often expressed via the patient’s words or behaviours. They often carry a sense of being an unhealthy rather than healthy expression of the patient.